Paris, 18. We hide it bravely, but so it is. “John, don’t!” she cried. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. Sheppard, hastily; "is that the name?" "Ay, ay, now I look again it is Trenchard.
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